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“If a body catch a body…”
"I thought it was ‘If a body catch a body,’" I said. "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around — nobody big, I mean — except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.”
—J. D. Salinger, The Catcher in the Rye
Minto-Brown Island Park, Salem, OR, July 2013 Shot with a Holga 120NFuji Velvia RVP100F, cross-processed

If a body catch a body…

"I thought it was ‘If a body catch a body,’" I said. "Anyway, I keep picturing all these little kids playing some game in this big field of rye and all. Thousands of little kids, and nobody’s around — nobody big, I mean — except me. And I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff — I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all. I know it’s crazy, but that’s the only thing I’d really like to be. I know it’s crazy.

—J. D. Salinger, The Catcher in the Rye

Minto-Brown Island Park, Salem, OR, July 2013
Shot with a Holga 120N
Fuji Velvia RVP100F, cross-processed

Dying light on a winding path
Withdrawing like a gentle caress - soft at first, then, minutes later, all but imperceptible.
Laurelhurst Park, Portland, OR, March 2013 Shot with a Holga 120NKodak Ektachrome E100G, cross-processed

Dying light on a winding path

Withdrawing like a gentle caress - soft at first, then, minutes later, all but imperceptible.

Laurelhurst Park, Portland, OR, March 2013
Shot with a Holga 120N
Kodak Ektachrome E100G, cross-processed

“Now are the woods all black, but still the sky is blue.”
— Marcel Proust, In Search of Lost Time
Rattlesnake Ridge, WA, August 2009 Shot with a Holga 120CFNFuji Velvia RVP100F

Now are the woods all black, but still the sky is blue.

— Marcel Proust, In Search of Lost Time

Rattlesnake Ridge, WA, August 2009
Shot with a Holga 120CFN
Fuji Velvia RVP100F